The Bay Taper and Classical Rev

Bill Swerbo, who writes the excellent blog baytaper, has a couple of posts which you should really go check out. First, Bill has a recent post about A Far Cry's recent San Francisco performance here. The new concert photos which are starting to be sprinkled around this website can also be seen there, as Bill is not only a writer, but also a talented photographer. But wait, there's more! Bill also recorded our concert, and you can hear our San Francisco performance of Corelli's Concerto Grosso in F on his website as well.

The baytaper also recently wrote up one of the weekly music parties of Classical Revolution. The "revolutionaries" invited A Far Cry to come sight-read with them when we were in town, and it was one of the highlights of the tour, by far. Classical Rev, in addition to putting on chamber music concerts with core members, holds a weekly classical music jam session at different bars and cafes in the Mission. There's nothing like being cheered on by a crowd of random onlookers as you fearlessly attack some fearsome Mendelssohn passagework, sight-unseen. Can a Boston Classical Revolution be far off? How could it not?

Song and Dance

We will be performing a new program, "Song and Dance," in Montpelier and Weston, Vermont later this month. Despite the fact that it shares both the Corelli and the Grieg with our "ensembleENSEMBLE" program, it has its own very different feel that I really love. As the title might give away, the program features music for strings inspired by both song and dance. Mozart's Divertimento #3 in F starts the concert with a festive, welcoming note. Mozart is the great master of the human voice, and the Divertimento is saturated with hummable tunes. Next, we turn to Benjamin Britten, who wrote his "Simple Symphony" at the ripe old age of 20, based on pieces he wrote even earlier. Less simple than you might think, the Britten combines baroque dance forms ("Boisterous Bourree" and "Sentimental Sarabande" are two of the movements) with melodies reminiscent of English folk songs. The second half of the program is all dance, combining the quintessential baroque dance suite - the Corelli Concerto Grosso op. 6 #9 - and the classic baroque-romantic fusion of Grieg's Holberg Suite. This is a program of contrasts, beautiful melodies, and foot-tapping rhythms, perfect for the summer!

ensembleENSEMBLE (aka Concerto Grosso)

A Far Cry is performing later this month at the Yellow Barn Music School and Festival in Putney, Vermont. The program is one of our West Coast Tour programs, and it is one I personally love. All three pieces feature soloists drawn from among the Criers. The individual spirit of the soloist, unashamed and uncompromising, is a great metaphor for A Far Cry itself, which was founded by musicians eager to make their own path. These pieces are the musical expression of this orchestra.

The 17th century Italian violinist and composer Arcangelo Corelli leads off the concert with Concerto Grosso opus 6 #9. Three soloists - two violinists and a cellist - indulge in improvised, virtuosic flights of fancy within the framework of a buoyant Baroque dance suite. This is the individual elevated by society, skimming along the crests of the wave created by the massed strings behind. Next, we turn to the Norwegian composer Edvard Grieg's Holberg Suite. Writing some 150 years after Corelli's death, Grieg nevertheless drew inspiration from Corelli and the Baroque. The Holberg Suite is alternately exhilarating and heartfelt, and finishes with a mad dash of a hoedown, featuring the concertmaster. A Far Cry concludes the evening with another, very different concerto grosso: Bela Bartok's Divertimento for Strings. Written in 1939, the Divertimento is vintage Bartok, combining a modernist ear with his beloved Eastern-European folk songs. The outer movements are lively and varied and the middle movement is nocturnal and ominous, and throughout Bartok pits the principal players - the solo string quartet - against the rest, often in a back-and-forth tug of war for supremacy.

We hope those in southern Vermont will come to this concert! Tickets are available at Yellow Barn's website.

Great Pictures from San Francisco

We were fortunate to have Bill Swerbo, the Bay Taper,  at our recent concert at the de Young Museum in San Francisco. Bill photographs and records some of the most amazing musicians out there performing in the trenches today, and posts the beautiful results on his blog. Take a look at the collection of photographs he took of A Far Cry here.

The photo above is of me (Jesse) looking all intense.

Pike Place Market

A Far Cry performed today at Seattle's world famous Pike Place Market to try to drum up interest in the big concert tomorrow night. In some ways, this was A Far Cry at its best - we showed up with instruments, stands, and T-shirts in tow, found a good high-foot-traffic spot, and took the music to the people! It was exhilarating and let's hope the huge audience we drew comes out to the concert tomorrow.

Portland Debut

Our Portland, Oregon debut is behind us, and we are now in the home stretch, with only the Memorial Day Seattle concert left to perform. But I'm still thinking about Portland. Portland has been, for me, an almost mythical place. In conversations with friends in Boston, when the question comes up: where do you want to end up?, the answer is invariably Berlin, Germany or Portland, Oregon. Berlin is self-explanstory I think, but why Portland? Now I have a much better idea.

Yes, it's a big city with big city amenities, clean air and water, excellent public transit, and stunning natural scenery easily accessible. But more than that, the people of Portland are energized! 75,000 of them will go to a political rally. They recycle. And, they go to concerts of young, unconducted chamber orchestras. We had such an enthusiastic audience, it was overwhelming. Thanks Portland! If you are reading this and were part of our Portland crowd, please leave a note telling us what you thought!

wow, time flies & tour is almost over!!

With sporadic wifi access on this trip, and not having been chosen to be one of the drivers on this west coast tour (if I was driving, I'd make sure I'd get my internet on a daily basis, but maybe that's why they didn't pick me as a driver...too many possibilities of unannounced disappearances perhaps??), I guess my input on the blog also has been a bit... well.. to be frank, this is my first post since leaving Boston. But the west coast tour has in fact been great to say the least. Getting to meet up with old friends all along this beautiful coast, making new friends & fans, becoming fans of new things (like the glass vacuum coffee brewing system..Holy Moses, I've had many good cups of coffee in my life, but really...if you know something is 200 times better than what you previously thought was good, how CAN you ever go back?? How can I repay you, Mike Judge...) and places, like McMenamins Breweries of Oregon, where they consistently serve excellent micro-brews and yummy foods at every location I step into. And these are only the few perks of being on the road. Before I forget, I will give shouts to all the gracious people who have housed, fed & supported us on this trip, and have done more than their share of PR for us to get more ears at our shows. You are our satellites & ambassadors, and we can't thank you enough.

A tour like this not only teaches me a lot about the other people in the group, but for me, it always comes back to an occasion to take a good look into my own being. And I think I've made some progress this trip, being more tolerant of others, their ideas and just plain not wanting to worry about the little things and inconsequential drama. Because it started to finally make sense, that it is all about the music, and my time on stage when the lights go on. And I figure if we can inspire each other during that time on stage, where most of the world gets to see & hear what we do, it probably counts the most towards our goals of wanting to do this whole music thing. Don't get me wrong.. I love the process of rehearsing and sinking my teeth into a piece of music, but I live another day to perform, and I'm sure my colleagues would agree.

It's a travel day today as we head up to Seattle and I hope to have one more day before our time in the west is over, to sit down and write a bunch about these weeks of traveling. But it is heart warming to share these days with the Criers and deep down I always know who my peeps are. Here we come Washington state!

Driving Music / Diving Music

So yesterday was the big driving day - we loaded up our rental minivans (Bigfoot, Bounty Hunter, El Toro Loco, and Carolina Crusher) and headed up Route 101 from Santa Rosa. 101 is an amazing drive. First it leads through Sonoma County - beautiful Tuscan rolling countryside covered with vineyards and wineries. Then the road grows steeper and twistier as it becomes the Redwood Highway. Driving through dramatic cliffs lined with evergreens, the first redwood still comes as a shock - just a massive column of TREE right there by the highway. I began to feel smaller and smaller as the average size of the trees got bigger and bigger. We drove past the tree you can drive through, and the tree you can live inside.

Trees then gave way to the Northern California coast, with its cliffs and crashing waves and imposing rock islands. If you are driving along the West Coast, I really do have to recommend route 101. But I also recommend bringing Jae Lee along. Jae DJ'd for most of the 10-hour trip, shuffling a driving mix between 2 ipods. From Indie Rock to Irish fiddle, the Driving Music helped the time pass. Exhausted by the travel, we met our Roseburg host families and went to bed.

Today is our day of rest, but some of us are going white-water rafting. We'll see if there are stories of Diving Music to tell tomorrow!

Santa Rosa Debut

We just finished our second major concert of the tour, at the beautiful (sonically and visually) Glaser Center in Santa Rosa. We had a small but very appreciative audience and an easygoing time on stage. Everyone was laughing and joking and we had a great time with Mozart, Grieg, and Tchaikovsky. Thanks Santa Rosa!

San Francisco homecoming

I couldn't wait to take off on the tour...but there was so much to do before we left that it didn't hit me til I woke up on the plane and we were almost there. Then, when we landed and I could see the bay and the hills, the excitement started bubbling up and I didn't know what to do with myself! I always love coming home to the West Coast, but what I didn't know was how much this feeling would be intensified by bringing the 15 other Criers along! Every part of life in San Francisco that I especially missed from conservatory days...bonfires on Ocean beach, breakfast at Zazie in Cole Valley, Brothers Korean, and the views from every hill...these I started to anticipate and experience not just for myself but for everyone else too. That's almost too much happiness to handle. The best though is the people in the city. So many friends, including many who went away and then moved back, and so many who opened up their homes to have us stay with them. A special thanks to Bill and June who not only hosted and fed and supported...but Bill also photographed and recorded our concert and gave us the cd the next day! Also, seeing my teacher Ian and two of his children at our concert meant so much. Talking with him before the concert made my whole warm-up different as the things he had taught rushed to my mind again.

I love it here! (but I'm already pretty pumped for Portland....my real hometown homecoming!)